Weekend of exhibitions
Come along and discover my work in a weekend exhibition is Sardent. This weekend is the first to be held by the ‘Artmano Assoication’ where you will find the products of artisans in the region and talk to the artist’s themselves to discover their ‘savoir-faire’.
I will be there all weekend with a selection of my work and you can you can ask me all the questions about how I make the jewellery, what inspires me, how long it takes and the inevitable; ‘how good are my eyes!’
Salon C.R.E.A n°1
samedi 10 et dimanche 11 novembre 2018 SALLE DES FÊTES Place de la Mairie – SARDENT – 23250 Horaires d’ouvertures – Samedi 13h30 à 18h30 – Dimanche 10h à 18h Renseignements : 06 45 56 43 16 http://artemano.association.free.fr
Christmas fayre in Bourganeuf
For those in Departement 23 of France, the beautiful Creuse, you can find an event on Saturday 8th December in Bourganeuf. The Christmas fayre is now established in it’s thirid year and is sure to get you into a Christmas mood, with a variety of stalls of hand made and commercial goods, an English food stall, an all day cafe and entertainment. You will also find my jewellery their so come along and say ‘hello’.
New to the collection, but my dilemma was where to put this piece. It would fit nicely into Floriana as the necklace is a long beaded rope decorated with leaf shapes, in yellows, reds and old gold, inspired by the ginkgo tree, however the colours are vivid and lively and the necklace would also fit into my Liberte range, so maybe it’s for the wearer to choose.
The beaded rope is a teal colour and at the ends of the rope are the ginkgo leaves and a hidden press stud under the leaves keeps the necklace secure but make the rope extremely comfortable to wear around your neck as there is no scratchy clasp at the back.
I was inspired to make the necklace because I find the Ginkgo tree, also know as the Maiden Hair tree, fascinating. The tree is now on the endangered list but there have been fossils with this leaf found dating back over 270 million years. I love the leaf shape, as have many other artists over the ages, just look at how the design was used in the Art Nouveau period and you will see what I mean. There are so many examples of this leaf shape being used on buildings, tiles, interior decoration and of course, in jewellery. So here is my effort, I hope you like it!
If you would like to own this necklace then contact me for details, or, of course, you could commission something similar in your own choice of colours.
Liberte – a new collection of jewellery
Liberte is a new collection of contemporary jewellery by Helen Clarence Designs. Inspired by the concept of ‘liberte’, but what is Liberte? It’s freedom to choose, it’s individuality, it’s confidence.
The colours in this collection are bold and vivid, there are no soft pinks or blues or pastels shades. The patterns are geometric and the jewellery is sculptural. This selection is designed to be worn in the office but also to take you into the evening.
Currently you can found this collection in a La Boutique de Chemin d’Ateliers, Saint-Amand-Montrond (18) and also in La Boutique Des artisans d’Aubusson, Aubusson (23) and by commission.
Well, the sun may be shining but its freezing outside and its the 1st of May. That’s a big holiday here in France, the start of good times to be had with summer just around the cornier and indeed the weather forecast is promising summery temperatures by the end of the week. ‘Premier mai’ is a time for giving and receiving lily-of-the-valley flowers here in France. I love these flowers, they have a heavenly scent and are so unassuming a plant that, for me, they just scream ‘chic’. I made a brooch and a bracelet last year with lily-of-the-valley as the inspiration, but this year I’ve added to the collection with a quick make of a spring bracelet in luscious greens, a touch of pink and blue and some quiet bead which I’ve used as ‘dangler’ in this beaded charm bracelet. The bracelet is in the shop, and there is also a similar make but in autumn colours (not that I’m wishing the year away!).
faux shibori bracelet
I was intrigued recently when trawling the internet looking at jewellery to find that one of the latest crazes in bead embroidery is incorporating shibori silk ribbon with the beads to create some wonderful jewellery. Now, bead embroidery, for some reason that escapes me, is not something that I have done a great deal – odd when you think that I trained as an embroiderer!
I thought I would try my own shibori bracelet as I loved the effect and its good to try something different every now and again. However when I found a supplier of the beautiful hand dyed silk ribbon I was put off by the cost – if I was to make a piece of jewellery using this then by the time I’ve finished and priced it I knew the cost would make a very expensive product and hard to sell so I looked for an alternative. Using a piece of hand dyed habotai silk that I had hidden away in a box of ‘bits’ I made the resulting bracelet. I found that the fabric does not have to be cut on the bias, (as the ribbon is), just make the silk double the width of the bracelet and a little longer. I sewed the silk to the ends of pelmet vilene turning under a small hem to hide the raw edges and then folded the silk and caught down the folds with tiny stitches using ordinary sewing cotton. These stitches were later hidden with the bezelled rivoli’s and other beads that were back stitched in place. I am pleased with the result and of course I am now thinking of all the other lovely fabrics that I could incorporate into my jewellery…red velvet for Christmas perhaps?
Finally! I have been working on this necklace for nearly a year. I was inspired to make a necklace with blooms from a dog rose that was winding its way through a hedge in the grounds of my gite (see www.gitesdefrance; 23G1302). However it took me simply ages to get the roses right; either they were too big or the wrong shape. I would put the work away in frustration and wait a while before tackling the problem again. Eventually I made the flowers the way I wanted them, out of fabric interfacing, then took them apart and using brick stitch I was able to bead petals using each ‘fabric’ petal as templates and then I sewed the 5 petals together and voila! I am delighted with the result of this asymmetrical necklace and am working on the instructions for the kit which will be available to buy from the shop very soon!
The Wonder of Christmas Markets
I have had the wonderful opportunity of visiting various Christmas markets over the festive season, two in France (although one was in the Alsace and is as near to Germany as you can get without actually being there!) and two in Scotland. It was interesting looking at the way in which different countries tackle markets and the difference in produce available. The market I visited in Glasgow was small but very popular with the locals adding a certain ambiance to the whole affair, the one in Edinburgh delightful because it is set around a park and the Christmas lights and ice rink add to the atmosphere hugely. However the produce here was nearly all imported goods. In France the fare for sale was mostly locally produced handcrafted items which I find much more interesting. Mulled wine was available at each one and of course I had to try some in each destination but was unable to set a preference! (Perhaps I should have studied harder?)
I walked past smelly cheese stalls, handcrafted chocolate stalls, hat and wooly jumper stalls and of course many jewellery stalls. I am yet to walk past any jewellery stalls however that has jewellery for sale made from beads and off loom weaving. Perhaps it is just to expensive to produce because of the time involved; competing against quickly strung beads or imported silver from India. I can’t believe that there are not the people out there making this stuff, but then again its not as if I had a stall at one of these markets – mental note to sell before the New Year starts, must try harder to ‘get out there’!
The photo shows the church at Mulhouse wonderfully lit up at their Christmas market.
Life in France
I have had a love affair with France for many years now and finally got to move the Limousin two years ago. Limousin is right bang in the middle of the country. We have cold winters with snow but hot summers and four very definite seasons which I love and find excitement with each changing season. Limousin has three ‘departements’ and I live in the Creuse which is the least inhabited (and stupidly one of the seven regions of France which does not produce its own wine!). It does however have the most spectacular countryside and I live amongst woodland and rolling hills and hedgerow full of wildflowers. It has most definitely influenced my work in both embroidery and beading; I find myself almost exclusively trying to recreate the colours and forms of the flowers.
Selling my work here is a challenge because of the language however the culture in France is to shop in markets and they are everywhere, making it easy to sell wares directly to the public for very little outlay. I have also found a shop in a local town which runs like a gallery charging commission. I think its a great way to have a shop. The shop owner doesn’t need to buy stock reducing overheads and artists get a chance to sell products in a ‘proper’ shop. I wish I could find more of these shops in other parts of the country!
Art-to wear Jewellery
What is ‘art-to wear jewellery and how is it different to any other type of jewellery and adornment?
I have demonstrated many times the process involved with off-loom bead weaving that makes up my pieces; the picking up of those tiny beads, usually one at a time, onto a long thin needle and thread and weaving into another bead, gently shaping the beads with increases and decreases of stitches into forms that, when put together make recognisable shapes such as petals and leaves. This is a time consuming art form and whilst it is true that some stitches can grow a piece of beadwork more quickly than other stitches, it is still a slow methodical process. Usually when people see how I have created the jewellery a better understanding and acceptance of the value of the jewellery emerges. I never like to claim that jewellery made in this way is ‘costume’; for me I reserve that term to those mass produced items that have been cheaply imported into the country from afar and sold in department stores and market stalls. There is nothing wrong with this type of jewellery, it serves its purpose as a cheerful adornment and can be thrown away after a few occasions of wear without any guilt, much like clothes bought in supermarkets and some well-known chain stores.
I prefer to refer to my creations as ‘art-to-wear’. It is unique; even if I reproduce a piece to the same design because it is handmade chances are something will differ with the end product. My jewellery may use semi-precious stones or 24 karat gold plated beads but no, it is not solid gold or platinum nor does it have diamonds in it, but those pieces bought in fancy jewellery shops are, on the whole, also mass produced with one gold chain and pendant looking exactly like the next gold chain and pendant because they are produced by machines.
Beaded jewellery made by bead artists is different; it is worn by women who are not afraid of being different. Confident women who are happy to stand out and who like the idea of knowing that no one else has a piece just like this one. Art-to-wear jewellery is considered, (just as any art work is considered), from the initial concept through to the execution. It has been designed with an eye to both form and function; it is a visual representation of an idea or emotion.
In this respect beaded jewellery should be regarded as art, useful art that you can wear and take with you wherever you go and not just stick on a wall to admire!